
Sunday, December 25, 2011
Movies to see
Tuesday, December 20, 2011
WESOŁYCH ŚWIĄT!
Monday, December 19, 2011
Aikido Seminar December 16-18, 2011
And before I forget,congratulations are in order for our dear Sensei Mateusz Waga for being promoted to Shodan which is a well deserved promotion....Congratulations once again Sensei!
Secondly,I would like to thank Piotr Sensei and Mateusz Sensei for grading me and awarding me Yonkyu and most important of all for pointing out my weaknesses which I shall strive to correct before the next seminar.
Congratulations to the following for passing the grading exam yesterday:
-Daniel(Nikyu)
-Ben(Nikyu)
-Jason(Sankyu)
-Tony(Sankyu)
It was a great seminar and I can't wait until the next seminar which I hope will be soon as this is one golden opportunity of learning Aikido from one of the top Aikidoka in Europe.
I take this opportunity to wish you all happy holidays and an Aikido full 2012.....Cheers!!!
Thursday, December 15, 2011
@Goan Ghymkhana Wed 14 Dec 2011
- Shiho nage
- Kote gaeshi
- Juji nage/ude garami
Tuesday, December 13, 2011
Seminar Class Schedule
Friday, December 9, 2011
Extract from Daniel Brunner Sensei's book
1. iwanami
2. ukifune gaeshi
3. noarashi gaeshi
4. utsu semi
5. matsukaze
6. zangetsu hidari
7. zangetsu migi
8. doto gaeshi
9. raito gaeshi
10. yoto
11. into
12. inazuma gaeshi
In the Muso Shinden Ryu school, there are 3 levels of techniques: shoden, chuden and okuden. The list of techniques in the first level (shoden) is as follows;
1. shohatto
2. sato
3. uto
4. atarito
5. inyo shintai
6. ryuto
7. junto
8. seichuto
9. gyakuto
10. koranto
11. gyakute inyo shintai
12. batto
@ Goan Ghymkhana Wed 7 Dec 2011
- Ikkyo ura and Omote
- Yonkyo ura and omote
- Shiho nage
- Kote gaeshi
- Irimi nage
- Soto and Uchi kaiten nage
Tuesday, December 6, 2011
Monday, December 5, 2011 session at the Goan Gymkhana
Ben Sempai took over the first hour and took us through the all familiar warm up exercises before pacing us through Mae and Ushiro Ukemi in both Suwari waza and Tachi waza.
The following were the techniques of the day(in no particular order):
-Ikkyo Omote from both Suwari waza and Tachi waza.
-Morote dori:Ikkyo and Nikyo(both in Omote),Sankyo(Omote & Ura),Yonkyo,Irimi nage.
-Kata dori:Ikkyo,Nikyo,Sankyo,Shiho nage,Rokyo.
It all ended with the good old back stretch-Haishin undo.
I must admit it was one of those days that I just find myself not clicking with any technique but all in all it was a great class......
Tuesday, November 29, 2011
Aikido moves in movies
@ Embassy Fri 25 Nov 2011
Attack was Ryote dori. The techniques included
- Tenchi nage ura and omote
- Shiho nage
- And a variatiobn of the Kokyuho technique.
@ Goan Gymkhana Wed 23 Nov 2011
- Yonkyo
- Juji nage
- Sumi otoshi
- Koshi nage
Wednesday, November 23, 2011
Tuesday, November 22, 2011
Some overdue pictures
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From Nairobi Aikikai |
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From Nairobi Aikikai |
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From Nairobi Aikikai |
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From Nairobi Aikikai |
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From Nairobi Aikikai |
Wednesday, November 16, 2011
Sorry
Tuesday, November 15, 2011
Wroclaw aikikai activities
Somehow after watching this my wish for a formal dojo with tatami just got more intense. We have a huge task ahead of us guys.
Monday, November 14, 2011 session at the Goan Gymkhana
Daniel Sempai took over the first hour as is customary and it all began with warm up exercises followed by Ushiro Ukemi combined with Shikko as one advanced forward.
What followed was:
-Shiho Nage in both Ai Hanmi and Gyaku Hanmi Katatedori stances as well as from the Kata Dori stance.
-Yokomenuchi Shihonage.
I must admit Kata Dori Shiho Nage was quite a task for me especially where it involved proper timing when entering with one's head.
The second hour totally belonged to Sensei and the techniques were as follows:
-Ryote Dori Kokyu Nage(Omote and Ura).
-Gyaku Hanmi Katatedori Kokyu Ho.
-Ryokata Dori Kokyu Nage.
-Ai hanmi Katate dori Irimi Nage(Omote and Ura).
-Kokyu Ho Kokyu Dosa which Sensei used to explain the concept behind Ryote Dori kokyu Nage.
Camera lights were flashing from every corner courtesy of Alison and at one point I felt as if we were in the presence of 'paparazzi'.
Great two hours of Aikido capped up by 'Orenai te' which made me understand why total relaxation when executing Aikido techniques makes a very big difference.....
Sunday, November 13, 2011
Friday, November 11, 2011 session at the Japan Information and Culture Centre hall
After Mae Ukemi from Suwari Waza to and from the 'dojo' several times,we were all set for the day's techniques.
Sensei had an array of techniques on offer and they were as follows in no particular order:
-Gyaku Hanmi Katatedori Sumi Otoshi.
-Ai Hanmi Katate dori:Kote Gaeshi,Nikyo Ura and Uchi Kaiten Nage.
-Ryote Dori Shiho Nage.
-A variant of Tenchi Nage.
It was a great two hours and once again we had a new entrant and after having his wrists get a feel of Nikyo,I wonder if we will see him again...
Sunday, November 6, 2011
Friday, November 4, 2011 session at the Japan Information and Culture Centre hall
The day's techniques were as follows:-
From Suwari Waza:
-Shomen Uchi Ikkyo (Omote and Ura)
-Shomen Uchi Nikyo (Omote and Ura).
From the Yokomen Uchi attack,there was:
-Sankyo (Omote and Ura)
-Nikyo (Omote and Ura).
To add onto the above techniques there was:
-Ai Hanmi Katate dori Shiho Nage Ura.
-Ryote dori Tenchi Nage (Omote and Ura).
Sensei once again stressed the importance of continuity on the part of Tori, i.e. Tori should not add any of his energy into Uke's attack but rather use Uke's energy to execute a technique.
It was a superb two hours and I look forward to the next session on Monday, November 7...
Monday, October 31, 2011
Monday, October 31, 2011 session at the Goan Gymkhana
Warm up exercises were courtesy of Reza before Jason took over and took us through the basics of Ai Hanmi Katatedori Ikkyo Omote and Gyaku Hanmi Kakatedori Ikkyo Omote.
The techniques we went through during the two hour session were:
From the Ai Hanmi Katatedori stance:
-Sumi otoshi
-Uchi Kaiten Nage(Omote and Ura)
-Kote Gaeshi
-Kokyu Ho
-Shiho Nage
From the Gyaku Hanmi Katatedori stance:
-Soto kaiten Nage
-Reverse Kote Gaeshi
Apparently,Ai Hanmi Katatedori Uchi Kaiten Nage has several versions and Sensei reviewed the one he introduced on last Friday's session in addition to two others.
Finally,I would like to wish Sensei a very happy birthday which we observed with some extra cold bottles of Tusker Malt and Guinness Kubwa plus some 'njugu'...many happy returns Sensei!
Next class:Wednesday,November 2.Weapons class:Jo and Iaido.
Friday, October 28, 2011 session at the Japan Information and Culture Centre hall
The following techniques were executed from the Ai Hanmi Katatedori stance:
-Kokyu Nage
-Shiho Nage
-Kote Gaeshi
-Uchi Kaiten and Soto Kaiten nage
-Udekimenage in both Omote and Ura.
From the Gyaku Hanmi Katatedori stance there was:
-Kokyu Ho
-Irimi Nage.
In addition to the above techniques,there was Ryote Dori Kokyu Nage and the session came to a close with the good old Kokyu Ho Koyu Dosa.
I must admit both Ai Hanmi Katatedori Uchi Kaiten and Soto Kaiten Nage were a handful for me but I believe with more and more practise,all shall be well.
Friday, October 28, 2011
Wednesday, October 26, 2011 session at the Goan Gymkhana
The session kicked off with warm up exercises followed by Mae Ukemi from both Suwari Waza and Tachi Waza and I realised thanks to Sensei that I had a bad habit of bending the elbow when executing Mae Ukemi from Suwari Waza.
The techniques we went through in the first hour were as follows:
-Ai Hanmi and Gyaku Hanmi Katate dori Irimi Nage Omote.
-Morote dori Kote Gaeshi(Omote,Ura) and Morote dori Juji Nage.
-Ushiro Ryote dori Kokyu Nage.
-Ryo Kata dori Irimi Nage.
The last two techniques were quite a challenge for me but I gave it my best shot.
The second hour was all Bokken and apart from reviewing Ichi No Tachi, Sensei introduced to us Ni No Tachi which was very interesting only that it was all confusion when it came to switching roles.
Batto-Ho time was here and I had only bits of Iwanami still in my memory but Sensei reviewed it as well as Ukifune Gaeshi and Noarashi Gaeshi before introducing Utsusemi...Awesome session!
Thursday, October 27, 2011
Whats your definition of aikido?
Aikido finds its origin in ancient China, but the concept of "ki" ("ki" refers to the power that is the driving force of life) is connected with Shinto and has a peculiarly Japanese development. Largely a spiritual exercise, it has no offensive techniques. It relies on throws and holding techniques without resorting so much to strength. Also, one's technique becomes more efficient as one one learns the special aikido art of breathing.
Aikido is actually relatively new, and had not been organized and named until the 1920's. Fundamental aikido techniques can be learned without difficulty by old or young, male or female. It is certainly effective for spiritual cultivation.
taught martial arts and strategy by a tengu?
http://www.samurai-archives.com/yoshitsune.html
Tuesday, October 25, 2011
Monday, October 24, 2011 session at the Goan Gymkhana
Daniel Sempai took over the first hour and since it was only him and I,we got down to business.
It was Kata dori Ikkyo Omote from Suwari waza that set the ball rolling which actually was the first time I practised the technique from Suwari waza having only previously practised it from Tachi waza.What followed was the same technique this time from Tachi waza.
The following techniques covered the first hour(in no particular order):
a)Morote dori Ikkyo(Omote and Ura).
b)Morote dori Nikyo(Omote).
c)Morote dori Yonkyo(Omote and Ura).
d)Morote dori Shiho nage.
Sensei took over the second hour and he took us through the finer details of executing a technique from a Morote dori stance and it was all smooth and continuous when he did it but wait till I tried it out....damn!
Some of the techniques that followed were a refinement of the ones that we had tackled in the first hour:
a)Morote dori Ikkyo(Omote and Ura).
b)Morote dori Kote gaeshi.
c)Morote dori Gokyo.
Sensei explained to us that the opening for Ikkyo,Nikyo,Sankyo,Yonkyo,Gokyo and Rokyo was basically the same and that one had the choice to choose to 'ignore' either hand which meant executing the technique from a Ai Hanmi stance or a Gyaku hanmi stance.I had quite a challenge executing the Gokyo tecxhnique at the end since I ended up fliping Uke's wrist palm down instead of palm up and Sensei stressed that the angle needed to be an acute angle for Uke to feel pain and tap out...I really look forward to practising with Sensei since he makes it real and always keeps one on his toes to simulate a real life attack.
After a sweaty two hours,there's no better way to cool down than gulping two extra cold bottles of Tusker Malt.
Next class:Wednesday,October 26.Weapons class:Bokken and Iaido.
Friday, October 21, 2011 session at the Japan Information and Culture Centre hall
It all began with the all familiar exercises followed by Ushiro and Mae Ukemi from both Suwari waza and Tachi waza which left me sweating and the gi drenched....
The techniques and attacks of the day are as follows in no particular order:
a)Chudan Tsuki Iriminage.
b)Shomen Uchi Sumi Otoshi and Irimi nage.
c)Morote dori Kokyu Ho.
d)Ai Hanmi katatedori Juji nage.
e)Gyaku Hanmi Yonkyo Ura.
The two hour session ended with Kokyu Ho Koyu dosa which to me seems simple when someone else does it but quite a challenge when I try it out...
The technique that stood out for me was Morote dori Kokyu Ho since at first it was a struggle to effectively execute the technique but with guidance from Daniel Sempai I finally got the picture though the execution still lacks continuity.
Great two hour session!
Sunday, October 23, 2011
Wednesday, October 19, 2011 session at the Goan Gymkhana
to be one special Wednesday since we practised Iai Batto-Ho for a whole one hour! It was awesome!
Before that, in the first hour of techniques,Sensei took us through Irimi Nage and Sumi Otoshi from both Shomen Uchi and Chudan Tsuki attacks respectively.
I must confess Sumi Otoshi sends a chill down my spine since I burst my hip bone two weeks ago but all in all,it was a good one hour session capped by Ai Hanmi Katate dori Kote Gaeshi which Sensei used to explain to us how to properly execute the Sumi Otoshi technique till the end.
The second hour was dedicated to a review of Jo Sansho One and I was glad I managed to start on the second part though I am yet to grasp it well.
The third hour as I had earlier hinted was dedicated to Iai Batto-Ho and Sensei reviewed Iwanami,Ukifune Gaeshi and introduced us to Noarashi Gaeshi...Damn I can't wait to own an Iaito and hear it 'whooshing' as I execute a move.
Tuesday, October 18, 2011
Monday, October 17, 2011 session at the Goan Gymkhana
The first hour as is now customary during Monday class was conducted by Daniel Sempai and the techniques on offer were:
Sumi Otoshi and Chudan Tsuki Irimi Nage. In Sumi Otoshi,it is imperative not to pull Uke but rather guide him while turning one's hips then stepping in with one's whole body while controlling Uke's arm at the elbow.
The second hour belonged to Sensei and he took us through:
a)Ikkyo(Omote and Ura!)
b)Nikyo (Ura)
c)Sankyo (Omote and Ura)
d)Irimi nage
e)Koshinage
All the above techniques were executed from an Ushiro Ryote dori attack.
Sensei pointed out the importance of locking in both elbows and keeping one's point to bring up Uke's elbows for a smooth execution of an Ushiro Ryote dori technique.
Shomen Uchi Irimi Nage also featured and once again Sensei pointed out the importance of letting Uke's shomen go until the end while controlling his elbow.
Next session:Wednesday, October 19.
Friday, October 14, 2011 session at the Japan Information and Culture Centre hall
From the Ai Hanmi Katate dori stance,there was:
a)Ikkyo(Omote and Ura)
b)Nikkyo (Ura)
c)Sankyo (Omote and Ura)
d)Yonkyo (Ura)
e)Gokyo and
f)Rokyo.
Sensei took us through the above techniques once again only this time from a Chudan Tsuki attack.
Shomen Uchi Kata Gatame and Ai Hanmi Katate dori Koshinage summed up the two hour session and it is Koshinage that made my day especially the one Sensei explained whereby after placing Uke on one's shoulder blades,one spins and Uke lands several feet away...I figure that one could teach a would-be mugger quite a lesson in a real life situation.
Monday, October 17, 2011
@ Goan Gymkhana 12 Oct 2011
Shiun
Saturday, October 15, 2011
Our Second Anniversary
Friday, October 14, 2011
Tuesday, October 11, 2011
Monday, October 10, 2011 session at the Goan Gymkhana
After the usual conditioning exercises,the two hour session got underway with Daniel Sempai taking over the first hour and Sensei taking over the second hour.
Here is a list of the techniques that were on offer:
a)Yokomenuchi Yonkyo Omote
b)Yokomenuchi Sankyo Omote and Ura
c)Yokomenuchi Nikyo Ura
d)Gyaku hanmi Katatedori Yonkyo Omote
e)Gyaku hanmi Katatedori Kokyu ho
f)Ai hanmi Katatedori Shiho nage
g)Gyaku hanmi Katatedori Shiho nage.
Sensei stressed the importance of performing the techniques in a continuous motion and Tori should be cautious as not to add anything onto Uke's motion....I must admit it will take me some time before I can blend into Uke's motion while being relaxed.
Another thing Sensei pointed out was that when Uke is performing an Ura motion he should avoid stopping midway but rather continue with the motion towards Tori's centre and also when intercepting Uke's Yokomenuchi motion,it is essential for Tori to move out of line and enter forward thus throwing Tori out of balance.
O yeah....my 'cutting' motions still leave a lot to be desired but I believe 'practice makes perfect' and time will tell how well I shall have grasped these essential moves.....Great class!!!
Tuesday, October 4, 2011
@ Goan Gymkhana 3 Oct 2011
Sunday, October 2, 2011
Friday, September 30, 2011 session at the Japan Information and Culture Centre hall
To set the day rolling,it was Mae Ukemi from both Suwari waza and Tachi waza followed by Hanmi handachi Kokyu nage.
Tai no Tenkan Ho prepared us for various Kokyu Nage techniques of which Ai Hanmi katate dori Kokyu Nage stood out for me.
Other techniques of the day were:
a)Shomen Uchi(Omote and Ura)
b)Ryokata dori Kokyu Nage(Omote and Ura)
c)Soto Kaiten Nage
d)Kata dori Kokyu Nage...Oh yes! There was Shomen Uchi Irimi Nage from Tachi Waza and then Uke ended up being pinned down in the Suwari Waza position-Wow!
The two hour session was crowned by Sensei presenting Tony with his Yonkyu certificate...awesome!
Thursday, September 29, 2011
Exams
Tuesday, September 27, 2011
Aikido National Geographic
I saw this great video last week about Aikido on National Geographic and I thought it best to share it with you all....Cheers!
Monday, September 26, 2011
Sketchy duel
i found the above video interesting. check it out.
Ben's contact
Sunday, September 25, 2011
Friday, September 23, 2011
Wednesday, September 21, 2011 session at the Goan Gymkhana
It all began with Mae and Ushiro Ukemi from Suwari Waza in addition to various warm up exercises we went through including my favourite-doing a hand stand against a wall.
Ryote Dori Shiho Nage in both Omote and Ura and Tenchi Nage made me sweat as we embarked on some Yonkyu techniques.
Next up was all about Kokyu Nage in Morote Dori and Gyaku Hanmi stances with the former giving me quite a hard time!
We went through Shomen Uchi Nikyo:Omote and Ura before calling it a day with a review of the eight Bokken Kata(without any Bokken).
The exercise that made my evening was the one where my partner dragged me on my back on the 'dojo' floor-Phew! After being dragged across the floor at high speed,I thought my Gi was worn out at the back and I had to budget for a new one(lol)!
Wednesday, September 21, 2011
@ Gymkhana 19 Sept 2011
Ukemi lessons warm-up were in order for starters.
Stance: Gyaku hanmi Techniques: Ikyo, nikyo, uchi kaiten, and kotegaeshi all in ura and omote
Thanks Daniel for handling the class! and Ohhhh....thanks for the Japanese sweets!!!
Monday, September 19, 2011
Friday, September 16, 2011 session at the Japan Information and Culture Centre hall
Next up was Yokomen Uchi: Shiho Nage,Kote Gaeshi,Kokyu Ho and Sankyo(Omote and Ura) not forgetting Shomen Uchi Sankyo where we began by locking up our forearms in front which always reminds me of the late Bruce Lee's classical movie 'Enter the dragon'.
As the session ended with the Haishin Undo,I was pleased to note that everyone had a great two hours...
Sunday, September 18, 2011
Wednesday,14 September, 2011 advanced class at the Goan Gymkhana
a)Shiho Nage(Omote and Ura)
b)Irimi Nage
c)Ikkyo(Omote and Ura)
d)Kote Gaeshi and my favourite-Ude Garami.
The first hour came to a close with a version of Kokyu Nage whereby Tori clutches Uke's arm close to his body before propelling him(Uke) forward using the hips.I almost damaged a colleague's wrist but thankfully it did not happen.
As pertains to the Weapons hour,apart from Jo basics;Kesa Uchi no. 1 and 2,Maki Otoshi no. 1 and 2 and Junte Uchi Otoshi,Sensei guided us on how to perform Shiho Nage,Sumi Otoshi and Nikkyo using a Jo! Awesome session!
Tuesday, September 13, 2011
Monday, September 12, 2011 beginner's class at the Goan Gymkhana
The second hour began with a review of Friday's techniques and it was Ai Hanmi Katatedori Ikkyo in both Omote and Ura versions that set the ball rolling.
What followed were two techniques:Morotedori Shihonage and Morotedori Kokyunage(or is it Kokyu Ho?)....the stretching of Uke before the throw being emphasised.Next up wasGyakuhanmi Katatedori Rokkyo and once again,the pinning of Uke's elbow under the armpit proved to be a challenge.
The technique that made my day was Katadori Ikkyo(in both Omote and Ura) especially the part where Uke is thrown off balance by the power of Tori's hips.After this technique,I realised that it is imperative to learn techniques in both Omote and Ura since one way or another,when faced with a real life situation,your attacker will either pull or push you....hmmmmm....that is some food for thought.
The class ended with the good old back stretch-Haishin undo which came in handy especially after two hours of rolling forward several times.
Friday, September 9, 2011 session at the Japan Information and Culture Centre
All began with Mae and Ushiro Ukemi from both Suwari waza and Tachi waza not to mention several warm up exercises including the familiar Ikkyo Undo and the like. The first hour was mainly composed of warm up exercises.
During the second hour,the main techniques were from the Ai Hanmi Katatedori stance:
a)Ikkyo(Omote and Ura)
b)Kotegaeshi.
It was a rigorous two hours and my Gi was drenched in sweat by the time we left the 'dojo'.....The Ura version of Ikkyo proved quite a challenge for me but all in all,I am sure I shall soon grasp the whole movement....
Monday, September 12, 2011
Wednesday, 7 September, 2011 session at the Goan Gymkhana
From the Ai Hanmi Katatedori stance,the techniques were:
a)Jujinage
b)Kotegaeshi and
c)Iriminage.
We then performed a version of Kokyunage whereby Uke is spiralled down to a hold.Next up was Uchi Kaiten Nage from the Gyaku Hanmi katatedori stance and the first hour ended with Koshinage except that we skipped the last bit of throwing Uke from Tori's hip since the surface at the Goan Gymkhana was not suitable to complete the technique.
As for weapons,it was a review of Jo Sansho one(all parts) and since I am only familiar with part one,I took the opportunity to fine tune my knowledge of the first part....
Aikijutsu
Tuesday, September 6, 2011
Monday, September 5, 2011 beginner's session at the Goan Gymkhana
Monday, September 5, 2011
Friday, September 2, 2011 session at the Japan Information and Culture Centre
Thursday, September 1, 2011
@ Goan Gymkhana 31 Aug 2011
- One thing we tend to forget often is never let go the hand that is on uke's neck until you are ready to complete the technique!!!
- Tori decides where and when uke falls not the other way round.
- Tori should make the technique as uncomfortable as possible for uke.
Monday, August 29, 2011
Friday,26 August 2011 session at the Japan Information and Cultural Centre 'dojo'
Wednesday, August 24, 2011
Advanced class
(2.) In the same vein, the grip is important. First, you have no time to change grips, so make sure you hold tight. Next, hold very close to the wrist, just like you hold a sword. Uke's hand becomes the handle, while the part of the arm between the wrist and the elbow becomes the blade. (3.) Make sure uke's arm is vertical just before doing the cut. (4.) Make the cut decisive and convincing. In order to do this, you have to make sure that uke's elbow ends up pointing downwards. (5.) In regards to shomenuchi kokyuho, move in with your whole body, and keep your movements forward to avoid tripping uke on your knee. (6.) Lastly, the more relaxed you are, the easier the movements.
Techniques: gyakuhanmi katatedori yonkyo omote and ura, gyakuhanmi katadori kokyunage, gyakuhanmi katatedori katagatame, shomenuchi kokyunage, and ryotedori kokyunage omote.
Comments: To be very honest, I didn't manage to move my body correctly enough to do yonkyo. I think i have the motion in my head, but my body just doesn't respond appropriately.
Weapons(Jo); We reviewed what we did last time and added the last of the kesa techniques. I won't go into names since i am quite sure none of us remembers even a simple one like, say Kesa uchi no.1. Of course maki otoshi no.1 doesn't count because we have done it countless times for it to be permanently etched in our memories.
Tuesday, August 23, 2011
Beginners class at Goan gym
Challenges included the yonkyo cut. Most of us (maybe even all of us) have a problem when it comes to leading uke's arm down. The cut is just never convincing enough, and apparently there are some very honest guys who will reverse the technique on you if you are this sloppy. The other major challenge was the timing for kokyunage, just as i have mentioned above.
An important tip for beginners would be; try to find your center (not my words). This is also not easy since most of the times i (having practised for almost 2 years now) am all over the place, but at least by now i have an idea of where my center is. Trust me, it helps to locate it.
Thursday, August 18, 2011
Advanced Class at Goan Gym
Weapons class was dedicated to bokken, where we revisited ichinotachi and shohatto. In general, it was a tiring, eye-opening, sweaty, painful and confusing class.
Wednesday, August 17, 2011
Beginners' class
Techniques; shihonage omote, uchikaiten sankyo omote, sotokaiten sankyo omote.
Emphasis; Necessity for tori to move, since very little (or no movement at all), has little effect on uke. Also, it was pointed out that when doing atemi, a fist is more effective than an open hand. It is equally important for tori to feel in control, otherwise there is no point for all this fuss, classes, and so on.
There was also hanmihandachi shihonage. With this technique it is easy to leave oneself open to a counter-attack by leaving hands behind when doing the shihonage turn. Knowing this, i know where to concentrate my efforts.
Tuesday, August 16, 2011
@ Embassy 12 Aug 2011
The ukemi we did was mainly gyaku ukemi, then followed by a brief ai-hanmi ikyo ura and omote in suwari waza. Was shocked to learn that suwari waza is easier than tachiwaza???
Then we did a kind of opening using tenkan, and out of this the techniques covered were kote gaeshi, irimi nage, kokyunage, kokyuho, shihonage, and my favourite a kind of lock that leaves uke gasping for air (locally referred to as Ngeta )
A good back stretch summarised the whole session.
Tuesday, August 9, 2011
Beginners' class
Techniques: various forms of kokyunage, shihonage, kotegaeshi and kiriotoshi.
Points to note: (1.) We should strive to cultivate fluidity in our movements. This is one of the ways we can come to appreciate the use of aikido in 'the streets'.
(2.) 2 ways of dealing neutralising an ura attack (when uke pushes against tori) were shown; either stiffly force it, or relax and move correctly.
(3.) The above can also be applied in kotegaeshi. You can painfully force uke down, or gently guide them downwards with the correct grip.
(4.) With kiriotoshi, it is important for tori to realise where uke will naturally fall. This will help tori move out of the way of uke's fall, hence avoiding injury.
Monday, August 8, 2011
@ Embassy Friday 5 Aug 2011
Wednesday, August 3, 2011
Wednesday Class at Goan Gym
Techniques; shihonage,kokyunage,kotegaeshi and iriminage.
Bokken; ichi-no-tachi review
Next time; Sansho one (Jo)
Tuesday, August 2, 2011
Monday Class
Techniques; Ikkyo, nikyo, sankyo and yonkyo (both omote and ura).
Others; aihanmi katatedori kotegaeshi, gyakuhanmi katatedori shihonage and this interesting version of what i think is kokyunage, but looks like a 2-handed nikyo.
Monday, August 1, 2011
@ Embassy 29 July 2011
Secondly, Sarah has a Gi!! sparkling white, guess the message on her red T-shirt didn't work :)
Back to training issues, ushiro ukemi was the starting point after the usual warm-ups proving that more work still need to be done!
First technique was gyaku hanmi katate-dori kokyunage which was done to almost perfection apart from the usual things which Sensei keeps drumming to our heads, DON'T do the technique with hands behind your back and STRETCH uke to make it uncomfortable for him!!
Then followed gyaku hanmi katate-dori kotegaeshi. In kotegaeshi, some things can't be stressed enough, such as don't raise uke's hand when almost completing the technique, and step back to give uke space to fall!!
Now the technique that seems hard for me to perform on some guy in the dojo (name withheld) is gyaku kotegaeshi. seems am not the only one with this problem.
Another technique was sankyo in which one is required to 'cut' towards uke's centre, a thing to keep in mind
Uchi kaiten was probably the last technique to be practised, fairly well done and finally, in uchi kaiten just before the throw by tori, he would go to the other side of uke and stretch his hand backwards, this was just a stretching exercise in itself.
Monday, July 25, 2011
Monday Class
Anyway, lots of serious questions had previously been raised concerning sankyo. It therefore follows that this was the technique of the day. This was executed from an ai-hanmi katatedori attack. Common mistakes noted included: (1.)wrong opening which leaves tori exposed, (2.) wrong sankyo grip (3.) wrong sanyo 'cut'. I have to mention here that the cut should be towards and into uke's center. Most of us tend to make it a round motion, which really doesn't work. If you know how to 'cut' with yonkyo, then it is the very same 'cut' even with sankyo. (4.) wrong finishing. When bringing uke down, tori should be in front, leading uke's elbow in a pulling motion. Maybe it is also worth noting that the grip should not change at any time during this technique. It is best to imagine your hands are glued to uke's. Quite obviously if you let go, nothing prevents uke from retaliating and delivering what may be a very vicious blow.
A change of pace was created with shihonage. The idea of this was to show how tori should create the opening.
The need for seriousness was emphasized since we put so many hours a week into this thing. It doesn't make sense to put so much time into something and not progress. This progress may be fast or slow, depending on the individual, but it is natural that whoever puts honest effort into something never comes out empty-handed.
Friday class
A short story by Terry Dobson
Ohayou-gozaimasu my fellow Aikidoka.I came across an interesting story below please if you get time read through....Dewa mata.
Here is a story from Terry Dobson, a master of Aikido and conflict resolution.A Shorty Story by Terry Dobson: Read by Ram Dass
THE TRAIN CLANKED and rattled through the suburbs of Tokyo on a drowsy spring afternoon. Our car was comparatively empty – a few housewives with their kids in tow, some old folks going shopping. I gazed absently at the drab houses and dusty hedgerows. At one station the doors opened, and suddenly the afternoon quiet was shattered by a man bellowing violent, incomprehensible curses. The man staggered into our car. He wore laborer’s clothing, and he was big, drunk, and dirty. Screaming, he swung at a woman holding a baby. The blow sent her spinning into the laps of an elderly couple. It was a miracle that she was unharmed.
Terrified, the couple jumped up and scrambled toward the other end of the car. The laborer aimed a kick at the retreating back of the old woman but missed as she scuttled to safety. This so enraged the drunk that he grabbed the metal pole in the center of the car and tried to wrench it out of its stanchion. I could see that on of his hands was cut and bleeding. The train lurched ahead, the passengers frozen with fear. I stood up.
I was young then, some 20 years ago, and in pretty good shape. I’d been putting in a solid eight hours of aikido training nearly every day for the past three years. I like to throw and grapple. I thought I was tough. Trouble was, my martial skill was untested in actual combat. As students of aikido, we were not allowed to fight.
“Aikido,” my teacher had said again and again, “is the art of reconciliation. Whoever has the mind to fight has broken his connection with the universe. If you try to dominate people, you are already defeated. We study how to resolve conflict, not how to start it.”
I listened to his words. I tried hard I even went so far as to cross the street to avoid the chimpira, the pinball punks who lounged around the train stations. My forbearance exalted me. I felt both tough and holy. In my heart, however, I wanted an absolutely legitimate opportunity whereby I might save the innocent by destroying the guilty.
This is it! I said to myself, getting to my feet. People are in danger and if I don’t do something fast, they will probably get hurt. Seeing me stand up, the drunk recognized a chance to focus his rage. “Aha!” He roared. “A foreigner! You need a lesson in Japanese manners!” I held on lightly to the commuter strap overhead and gave him a slow look of disgust and dismissal. I planned to take this turkey apart, but he had to make the first move. I wanted him mad, so I pursed my lips and blew him an insolent kiss.
“All right! He hollered. “You’re gonna get a lesson.” He gathered himself for a rush at me. A split second before he could move, someone shouted “Hey!” It was earsplitting. I remember the strangely joyous, lilting quality of it – as though you and a friend had been searching diligently for something, and he suddenly stumbled upon it. “Hey!”
I wheeled to my left; the drunk spun to his right. We both stared down at a little old Japanese. He must have been well into his seventies, this tiny gentleman, sitting there immaculate in his kimono. He took no notice of me, but beamed delightedly at the laborer, as though he had a most important, most welcome secret to share.
“C’mere,” the old man said in an easy vernacular, beckoning to the drunk. “C’mere and talk with me.” He waved his hand lightly. The big man followed, as if on a string. He planted his feet belligerently in front of the old gentleman, and roared above the clacking wheels, “Why the hell should I talk to you?” The drunk now had his back to me. If his elbow moved so much as a millimeter, I’d drop him in his socks.
The old man continued to beam at the laborer. “What’cha been drinkin’?” he asked, his eyes sparkling with interest. “I been drinkin’ sake,” the laborer bellowed back, “and it’s none of your business!” Flecks of spittle spattered the old man. “Ok, that’s wonderful,” the old man said, “absolutely wonderful! You see, I love sake too. Every night, me and my wife (she’s 76, you know), we warm up a little bottle of sake and take it out into the garden, and we sit on an old wooden bench. We watch the sun go down, and we look to see how our persimmon tree is doing. My great-grandfather planted that tree, and we worry about whether it will recover from those ice storms we had last winter. Our tree had done better than I expected, though especially when you consider the poor quality of the soil. It is gratifying to watch when we take our sake and go out to enjoy the evening – even when it rains!” He looked up at the laborer, eyes twinkling.
As he struggled to follow the old man’s conversation, the drunk’s face began to soften. His fists slowly unclenched. “Yeah,” he said. “I love persimmons too…” His voice trailed off. “Yes,” said the old man, smiling, “and I’m sure you have a wonderful wife.” “No,” replied the laborer. “My wife died.” Very gently, swaying with the motion of the train, the big man began to sob. “I don’t got no wife, I don’t got no home, I don’t got no job. I am so ashamed of myself.” Tears rolled down his cheeks; a spasm of despair rippled through his body.
Now it was my turn. Standing there in well-scrubbed youthful innocence, my make-this-world-safe-for-democracy righteousness, I suddenly felt dirtier than he was. Then the train arrived at my stop. As the doors opened, I heard the old man cluck sympathetically. “My, my,” he said, “that is a difficult predicament, indeed. Sit down here and tell me about it.”
I turned my head for one last look. The laborer was sprawled on the seat, his head in the old man’s lap. The old man was softly stroking the filthy, matted hair.
As the train pulled away, I sat down on a bench. What I had wanted to do with muscle had been accomplished with kind words. I had just seen aikido tried in combat, and the essence of it was love. I would have to practice the art with an entirely different spirit. It would be a long time before I could speak about the resolution of conflict.
Terry Dobson
Friday, July 22, 2011
Wednesday Class at Goan Gym
When sitted there are a few differences but that is for another day.
We went through the first tachi, called ichi no tachi. Apparently there are 7 of them, and if we are lucky, we will get to practise all of them. We also did some conditioning exercises,(the ones from last week), which were quite tricky, but we managed somehow.
For the techniques, we started with ushiro ryotedori shiho nage. pointers included, (1.) the 2 authorised ways for tori to get out of uke's grip. and (2.) the necessity for quick movement to avoid uke counter-attacking. and also (3.) the necessity to not stay in place. It is vital to first move off the line and then forwards. this keeps uke occupied. This was best demonstrated by a conditioning exercise from ushiro ryokatadori, which requires uke to do ukemi over tori's shoulders.
The next technique was yokomenuchi tenchinage. Pointers included tori neutralizing uke's attack by attacking uke's elbow at the moment of uke's attack. Then tori has to keep both hands in front and outstretched, just like in normal ryotedori tenchinage. Another point is that the stike to uke's face is like an upper cut, which means it is an upward movement. It is not a karate punch. This is necessary in order to keep in line with aikido's 'opening' as opposed to 'striking'. (Hope this makes sense).
Ok, at the end of class there was one broken bokken and a few minor injuries, but nothing worth noting. I have seen injuries during iaito class, where people use live blades, so...For what its worth, injuries are never intentional, with a few exceptions as can be expected in life. So if something bad happens to you, take it all in stride and move on. I think.
Friday, July 15, 2011
Wednesday, July 13, 2011
Wednesday Class at Goan Gym
Next up was gyakuhanmi katatedori uchikaiten sankyo. The steps involved were so many as to confuse things a bit, but one would do well to constantly practise until it becomes second nature.
From this we moved to aihanmi shomenuchi kokyunage. Anyone familiar with kokyunage knows that it is one of the most dynamic because tori blends into uke's movement and tries as much as possible not to give anything. To me it is the most basic aikido ever. This is the stuff you imagine when you hear the word aikido. It was a challenge doing it on a hard wooden floor, but we survived.
The last technique of the day was ryokatadori kokyunage. Again same challenges as with the former technique. With the last two, if tori doesn't get close to uke, it doesn't work very well. The idea of blending in should be taken literally as to become vulgar at some point. You have to move as one, and this is only possible when contact is so personal as to look almost intimate. I can't explain it any better than this.
On to some even harder stuff. Bokken. Most of us have forgotten even how to hold it. Understandably. Don't ask whose fault it is. Anyway, after a few kirikaeshi, we tried a form. I will have to check the name. This one involved a cut through a cut. Obviously both partners are equally at risk, but the brunt is borne by the one receiving the final blow. Since i don't have the words to describe this form, suffice it to say tsuba comes in handy, and the shomen uchi is trickier this time round because it has to be in tune with the other shomen uchi.
Tuesday, July 12, 2011
Martial Arts demo at Japanese Embassy
Unfortunately I have only two pictures...


Please feel free to share if you have more pics
Beginners Class at Goan Gym
Common mistakes we were warned against include uke sticking head on tori's knee, hence missing the point that kaitennage ends with a knee strike to the face. Another has to do with the cut during yonkyo. If you don't cut forwards and downwards it just won't work. Its just like sankyo, only a little bit harder. This is better explained practically.
Monday, July 11, 2011
On Ki
All I can say is this - if you feel that you personally feel something special and it works with Łabędzki - fine. But unless you know what you are doing - do not make the mistake of running into something like this:
For you might end up like this:
So - while philosophy-ing, fooling around and bullshitting might be fun - stick to something painful and physical. Like - for example - yonkyo:
Sunday, July 10, 2011
Aikido demonstration at the Information and Culture Centre of The Japanese embassy on 9 July 2011
Thursday, July 7, 2011
@ Gymkhana Jul 6 2011
Sensei showed us a good example of what Aikido IS NOT... Thanks Nick for being the subject of humour, we owe you one :-D
Wednesday Class at Goan Gym
We practised the whole sequence of sansho 1 with jo for the last half of the class. Its not perfect yet, but at least we are practising and can remember most of it.
Wednesday, July 6, 2011
How did this happen?
Tuesday, July 5, 2011
The last couple of classes
Yesterday we had an interesting session which i am sure will remain long in the minds of whoever was paying attention. We had a session like no other where we had to deal with a chudan-tsuki attack. So we had techniques like gyaku-hanmi kote-gaeshi, ai-hanmi ikkyo, and variations of irimi-nage and kokyu-ho. Then there was a variation? of kata-dori shiho-nage where tori has to literally ATTACK uke's elbow with the chin. This is not the first time we have covered this technique but it sends chills down my spine every time i see it. Just like koshi-nage. Or a perfectly executed sankyo, irimi-nage. Anyway, some aikido techniques just look overly lethal from an observer's point of view.
The reason for all these not very palatable techniques (for beginners and intermediate guys) was the upcoming event on saturday. I can't wait to see how it goes tomorrow.
Tuesday, June 28, 2011
Beginners Class at Goan Gym
Thursday, June 23, 2011
At Goan Gym
With bokken, we had to start with the basics again, given that it has been quite a while since we last did this. So we did some little bit of kiri-kaeshi and the beginning of ichi-no-tachi. This is to be continued...
Tuesday, June 21, 2011
Beginners Class at Goan Gym
@ the Embassy 17th June 2011
After the warm-ups, the classes started with ukemi exercises both mae and ushiro in suwariwaza and tachiwaza. But that was the easy part. Two more ukemis were introduced; Gyaku ukemi (left foot forward and roll over your right arm and vice versa) and yoko ukemi (rolling sideways!!)
In yoko ukemi, one is supposed to roll sideways on a straight line, but most of us....no, ALL of us were doing something from "our own worlds", rolling to an angle almost doing mae ukemi. Well didn't work this time, maybe next time.
Next followed shomen uchi ikkyo both ura and omote, not bad, but a little more practice and we will be ready to go!
Finally on the 1st hour we did shomen uchi sumi otoshi whereby tori has to keep arms straight but not stiff and throw uke downwards to his weak spot, the imaginary triangle.
Saturday, June 18, 2011
At Embassy
Thursday, June 16, 2011
At Goan Gym
We did not have a weapons class due to some power/electricity hiccups, which forced us to sometimes practise in darkness for upto like 2 minutes or more. Come to think of it, it wasn't so bad. You don't always have to see, sometimes you just move instinctively.
Wednesday, June 15, 2011
Begginers Class
The more one learns (aikido) the more you realize how much you don't know (or maybe it's just me). Ikkyo techniques are some of the basics in Aikido, but after doing them in Suwari-waza, thanks to Daniel for sore knees, I realized just how much more their is to learn, e.g straighten your hands as Tori when performing it or uke will easily turn things around (I learned it the hard way)
The next hour was Shomen-uchi techniques that included kotegaeshi, sankyo, kaiten nage(?) and finally what Sensei described as the most dangerous technique in aikido, Koshi nage, which for obvious reasons (read, lack of tatamis) couldn't be performed to its deadly end.
Next class on Wednesday, boken techniques are back!
Tuesday, June 14, 2011
Aikido words
I refuse to believe it has to do with my lack of concentration in class.Most of the time,one joint or other in screaming in pain or am wondering what'll I will have for dinner(Disclaimer-the information here shall not be used against me)
So maybe,a tiny percentage(o.1-9.9%)can be blamed on me,the rest is because I do not know Japanese.
Then I read somewhere that when u write down something,it's harder to forget so I will write and see if this will work.
Common names used in Aikido-Nikio,Ikyo,Kokyo,Rokyo,Yakohami,Aihami,Omote,Ura,Kote nage,Tenkan,Shiho nage,Uke(am assuming Japanese is like Swahili where the how the word is pronounced is the same way it's written)
To be continued...................
Beginners Class
For this wednesday's class, guys were advised to dust their bokkens and come with them.
Monday, June 13, 2011
At Embassy
Anyway, the attack was yokomen-uchi, and from this we were able to do shiho-nage, kokyu-ho, kote-gaeshi and rokkyo. Unfortunately with some techniques like these, uke is under much more stress than tori. As uke, if you attack blindly and don't pay attention to what's happening to you, a number of very bad things could happen. Like getting slapped on the face (if tori is being very nice to you).And you thought Aikido was defensive?
Thursday, June 9, 2011
At Goan Gym
There was no weapons class due to the unavailability of the said weapons. Guys were encouraged to dig out their bokkens since it has been quite a while since we had a bokken class.
Friday, June 3, 2011
Wednesday class
Since some of the more experienced aikidokas knew the whole sansho 1, the last session of the class was spent practising this. It was mentioned that the rest is up to us now. Knowing all this stuff is useless if we don't make constant use of it...
Sunday, May 29, 2011
Secret Sunday Class
There were some minor accidents, some blood was spilled, someone was hit on the head... Tony - you need to control your stick! That - of course - on top of some fingers hit by jo, which actually is a part of this whole package called sansho one ;-)
Afterwards we had traditional beer and snacks. Generally it was a very nice afternoon...
Thursday, May 26, 2011
At Goan Gym
Tuesday, May 24, 2011
At Embassy
Friday, May 13, 2011
This week's classes
It's been quite a while since i last posted something here. Usually I just read. Anyway, from Wednesday we have been learning the basics from a shomen uchi attack. But since shomen uchi is a very quick and precise attack, we have been taking baby steps so that we first get used to the idea of shomen uchi. This means we have been doing the techniques starting from a position where uke and tori have their arms raised. Furthermore instead of uke attacking, tori takes the initiative(kinda boring actually, but good for beginners). Of course the ideal situation would be if we had like separate classes for each level, such that everyone can practise and grow with people of equivalent experience. Understandably we are a very young group and it is my hope that in time conditions will improve. So far we have focused on ikkyo,nikyo and sankyo, in each case doing both omote and ura versions. The jo session on Wednesday was a review of the basics from a kesa attack. My head has totally refused to wrap itself around the names of these jo techniques and it looks like i have to show who's the boss.